This is the Oliver 7, a 1918 model that stands out with its iconic “bat-wing” design. Unlike most typewriters, it used a down-strike mechanism from angled typebars, offering excellent visibility of the printed line. The side-mounted arms weren’t just a visual quirk—they were a brilliant way to improve accuracy. For typists who wanted precision and flair, the Oliver was a bold and effective choice.

This polished gem is the Bennett Typewriter Chrome, a stylish variant of the original Bennett line. It shares the same portability and simplicity but adds a layer of visual sophistication. Chrome detailing gives it a refined, almost futuristic feel for its time. Small enough to carry, sharp enough for business—this typewriter was made for those who wanted elegance with their efficiency.

The Bing 2 Front Strike is a sleek, streamlined German typewriter introduced in 1927. Its front-strike mechanism allowed typists to see their work immediately—a feature that made it both efficient and user-friendly. With a glossy finish and a compact, almost modern silhouette, it was built to serve students, clerks, and creatives alike. Light, elegant, and responsive, the Bing 2 was a joy to use—and a pleasure to look at.

This is the Bennett Typewriter Black, one of the earliest truly portable writing machines, introduced in 1910. Compact enough to fit in a briefcase yet robust enough for daily use, it was a favorite among traveling professionals. Its design is minimal, but the key action is surprisingly smooth. The Bennett is a brilliant example of American ingenuity—simplifying the typewriter without sacrificing quality.

This vintage kit contains Cleaning Tools for the Oliver Typewriter, and it’s a beautiful reminder of the care these machines required. Included are a brush, screwdriver, oil bottle, and cotton—all essential for keeping an Oliver machine in perfect working order. It’s not just a set of tools—it’s part of the ritual. Just like sharpening a pencil or oiling a clock, cleaning a typewriter was a gesture of respect for the craft of writing.

This is the Rem-Blick, a compact and efficient typewriter produced in 1927, inspired by the iconic Blickensderfer 5. Light, portable, and forward-thinking, it used a typewheel rather than individual typebars—an ingenious design that made it lighter and easier to maintain. Its yellow-on-black keys pop visually, and its tight footprint made it perfect for travelers, journalists, and writers on the move. A practical and stylish solution for an increasingly mobile world.

The Remington Standard No. 6 is a magnificent example of late 19th-century innovation. Produced between 1878 and 1895, it introduced a more refined, stable design compared to earlier models. The build is solid, and the typing action is crisp and confident. What made it stand out was its mechanical consistency—it offered dependable results page after page. In an age when speed and clarity began to matter in business, this Remington was the go-to companion for professionals.

This elegant instrument is the Hammond Multiplex, a uniquely designed typewriter built in 1925. Unlike most machines, it typed with an interchangeable type shuttle, allowing users to switch fonts and languages with ease—a revolutionary feature at the time. The curved wooden casing adds an artistic charm, making it one of the most beautifully crafted machines of the era. It’s quiet, versatile, and surprisingly modern in its flexibility—an early vision of personalization in technology.

This is the Continental Standard Front Strike, a high-performance typewriter first produced in Germany in 1935. Designed with precision and durability in mind, it became a favorite among professionals who needed a machine that could keep up with daily demands. Its front-strike mechanism offered clear visibility of typed text, while the firm, responsive keys made for an efficient and satisfying writing experience. With its refined black body and industrial flair, the Continental wasn’t just reliable—it was built to impress.

The Mercedes Elektra Electric Patent was built for serious work. Introduced in 1923, it combined the reliability of German engineering with electric power—allowing nonstop operation in large offices and institutions. It’s big, yes—but that bulk means stability, durability, and performance. With high-speed typing and reduced effort, it paved the way for the electric typewriters of the future. This machine didn’t just keep up with the times—it powered them forward.

This restored Adler 7 Front Strike shows exactly how stunning early typewriters could be. Carefully returned to its original condition, it gleams with black lacquer and gold lettering. It’s not just beautiful—it’s fast, precise, and groundbreaking for its time. With a visible type point, smooth key action, and impressive mechanical reliability, this Adler is a celebration of craftsmanship and industrial art.

The Underwood Hartford is a rare example of early 20th-century cross-cultural design. Built in the USA but equipped with a full Hebrew keyboard, it enabled efficient writing in a right-to-left language—a remarkable engineering feat. Its keys are crisp, the action is smooth, and the wood finish gives it warmth and presence. This wasn’t just a machine—it was a bridge between languages, helping Hebrew speakers write faster and more clearly.

The Mercedes Elektra Electric from 1926 is a bold leap into the future. Powered by an electric motor, it took much of the physical strain out of typing—making long documents easier and faster to produce. Its most unique feature? A rare Hebrew keyboard, making it a vital tool for Hebrew writers at a time when such machines were extremely scarce. Quiet, powerful, and beautifully built, this is a true gem of innovation and inclusion.

The Underwood In Box Patent is a compact marvel from 1922. Designed with portability in mind, it features a built-in carrying case, making it one of the first true travel typewriters. It brought serious writing power to journalists, businesspeople, and creatives on the move. Despite its size, it delivered crisp, reliable typing with every stroke. It’s proof that you don’t have to be big to make a big impact.

This unrestored Adler 7 Front Strike tells a powerful story. Though worn with time, its structure still shows strength and intention. Its front-strike mechanism remains a game-changer, allowing visible typing well before that became standard. Every nick, every worn key, is proof of just how much it was trusted. This is not just a machine—it’s a survivor, a witness to the everyday work of real people over generations.

The Adler 7 Front Strike is a masterpiece of German engineering. Released in 1905, it introduced front-strike technology, meaning writers could finally see their words appear in real time. Its curved faceplate and strong metal arms give it a bold, commanding look. With a smooth action and visually satisfying output, this machine made typing faster, clearer, and more efficient. A prime example of beauty meeting usability.

This Remington (Former Fay-Sho) is a refined evolution of the earliest models. Released in 1884, it improved usability by allowing typists to see their writing—something the first Remingtons didn’t offer. Still boasting the elegant metal construction and precision mechanics Remington became known for, this machine blended form with function. It’s a milestone in the history of human-computer interaction—one key press at a time.

This is the Smith Premier 1 Double Keyboard, a beautifully crafted machine with an extraordinary layout. It featured separate keys for upper and lowercase letters—avoiding the need for a Shift key and reducing mechanical complexity. Built by L.C. Smith’s gun company, it boasts unmatched durability, with a design as robust as it is ornate. It was ideal for heavy-duty office work, and its double keyboard, though rare today, made it one of the most ambitious machines of its time.

This is the Remington Original Was Fay-Sholes, the first commercially successful typewriter in history. Elegant and gleaming, it laid the groundwork for modern writing machines. It introduced the QWERTY layout, which we still use today, and helped turn typing into a profession. Yes, it printed upside-down so users couldn’t see the letters—but that didn’t stop it from revolutionizing the written word. Its success launched the Remington brand and brought typewriters into offices worldwide.